スペイン書房ネットショップ / Remaking the Comedia - Spanish Classical Theater in Adaptation -- Erdman, Harley & Paun de Garcia, S.(eds.)

Remaking the Comedia - Spanish Classical Theater in Adaptation -- Erdman, Harley & Paun de Garcia, S.(eds.)

￥14,960 税込

商品コード： 126611

関連カテゴリ

文学（作品・研究）

文学（作品・研究）＞スペイン語文学

商品コード(SBC):　126611
ISBN13:　9781855662926
サイズ:　15.5 x 23.5 x 2.5 cm
頁　数:　323 pgs.
重　量:　0.69 kgs
装　丁:　hard cover
出版社:　Boydell & Brewer
発行年:　2015
発行地:　London
双書名:　Tamesis A/Monografias, 346

Descripción:
Leading Golden Age theatre experts examine the ways that comedias have been adapted and reinvented, offering a broad performance history of the genre for scholars and practicioners alike.

This volume brings together twenty-six essays from the world’s leading scholars and practitioners of Spanish Golden Age theatre. Examining the startlingly wide variety of ways that Spanish comedias have been adapted, re-envisioned, and reinvented, the book makes the case that adaptation is a crucial lens for understanding the performance history of the genre. The essays cover a wide range of topics, from the early stage history of the comedia through numerous modern and contemporary case studies, as well as the transformation of the comedia into other dramatic genres, such as films, musicals, puppetry, and opera. The essays themselves are brief and accessible to non-specialists. This book will appeal not only to Golden Age scholars and students but also to theater practitioners, as well as to anyone interested in the theory and practice of adaptation.

CONTENTS:

Preface

Terms and Concepts: The Adaptation of Classical Texts for the Stage

‘Los senderos qu se bifurcan’: Adaptation, Appropriation, and the Proliferation of Possibilities

Interpretative Directing Games for the Golden Age Repertory

Re-Make, Re-Mix, Re-Model

Refundación Redux: Revisiting the Rewritten Comedia

Pepe Estruch and the Performance of Golden Age Drama: International Relationships under Franco and Democratic Theatrical Cultures

Thinking Globally, Acting Locally, and Performing Nationalism: Local, National, and Global Remakes of the Comedia

Four Decades of the Chamizal Siglo de Oro Drama Festival and the Evolution of Comedia Performance

Early Modern Dramaturgas: A Contemporary Performance History

Adapting Lope de Vega for the English-Speaking Stage

The Dog in the Manger: The Continuum of Transformation

El Caballero de Olmedo: Los Barracos’s Baroque Gentleman

Corpus Lorqui: Transformation and Transubstantiation in Los Barracos de Federico’s El caballero de Olmedo

The Phoenix of Madrid: Calderón’s No hay burlas con el amor Reborn in Bath

A Prince in Pittsburgh: ‘Recasting’ a Contemporary Staging of The Constant Prince

Directing Marta the Divine: Provocative Choices in the Service of the Story

The Dramaturgy of Absence: Minding the Gaps in Tirso de Molina, Ana Caro, and Feliciana Enríquez

Translations and Transgressions: Twenty-First Century Questions Regarding Zayas

Comedia Actresses, Then and Now: The Case of Ana Caro’s Valor, agravio y mujer

‘Kinesthetic Empathy’ and the Comedia Refundición

Porous Boundaries: Novela or Comedia?

Lope de Vega and Lenfilm: The Dog in the Manger’s Cross-Cultural Journey

Classical Theater and Puppetry: La Máquina Real

Remaking Moreto’s El Desdén con el desdén: From Author’s Text to Director’s Text

Lope’s Peribáñez on the Lyric Stage

A Musical Marta

Appendix: Play Titles Cited

Works Cited

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Remaking the Comedia - Spanish Classical Theater in Adaptation -- Erdman, Harley & Paun de Garcia, S.(eds.)

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