Descripción:
A collection of essays on Spanish poetry honouring a distinguished British Hispanist.

Trevor J. Dadson is a British Hispanist of international distinction whose remarkable scholarly range has resulted in a published output that embraces cultural, literary and social history, textual editing, literacy, book ownership and literary criticism. The twelve essays of the present volume pay tribute to his distinctive interventions in the field of Spanish poetry (early modern and contemporary); collectively they recognize the catalytic role of Professor Dadson’s original research while opening up to dialogues beyond it, aiming to inspire new conversations around the topics he has inspired generations of scholars to pursue.

Represented in the volume are former doctoralstudents, former colleagues and international collaborators, all of whom are also distinguished authorities in their fields.


CONTENTS:

Contributors

Introduction

Voicing Time: The Temporal Textures of Garcilaso de la Vega.

Luis de León and the Moriscos: a close reading of Ode XXII (La cana y alta cumbre

Conde de Salinas: Poesías atribuidas o disputadas

Horacio en Quevedo: principios retóricos del arte de la imitación

El nuevo Olimpo de Gabriel Bocángel y Aragón

Imaging Women: The Portrait Poems of Catalina Clara Ramírez de Guzmán

La sublimidad del septentrión: paisajes de la poesía romántica española

Antonio Machado as cynic: ‘Fantasía de una noche de abril’ as Pastiche of Espronceda

Hamlet without the Prince: Denunciation and Surveillance in Vicent Andrés Estellés’s Testimoni d’Horaci

Poetry and Crisis in Spain after 2008

Contexto, texto e intertexto en Cuaderno de vacaciones (2014), de Luis Alberto de Cuenca

La lírica en los tiempos del neoliberalismo: reflexiones sobre Balada en la muerte de la poesía de Luis García Montero

Appendix A : The Publications of Trevor J. Dadson

Bibliography

Index