Nation, Culture and Class in Argentine Cinema - Crisis and Representation (1998-2005) -- Oyarzabal, Santiago
￥20,284
税込
商品コード： 126891
商品コード(SBC): 126891
ISBN13: 9781855663053
サイズ: 15.5 x 23.5 x 1.4 cm
頁 数: 198 pgs.
重 量: 0.41 kgs
装 丁: hard cover
出版社: Boydell & Brewer
発行年: 2020
発行地: London
双書名: Tamesis A/Monografias, 389
ISBN13: 9781855663053
サイズ: 15.5 x 23.5 x 1.4 cm
頁 数: 198 pgs.
重 量: 0.41 kgs
装 丁: hard cover
出版社: Boydell & Brewer
発行年: 2020
発行地: London
双書名: Tamesis A/Monografias, 389
Descripción:
An unprecedented close textual analysis of numerous films within their contemporary cultural context.
This book engages with representations of social crisis in Argentine fictional cinema between 1998 and 2005, a period when Argentina experienced a deep economic crisis that brought about significant changes in politics, culture, society and the arts. It focuses on the ways in which cinema interpreted and represented both contemporary and long-established issues within national and social discourse, while re-assessing notions of national identity, culture and class.
Despite a growing body of scholarship on Argentine film published in English over the past few years, the role of more conventional films aimed at the public at large remains underexplored. By combining close textual analysis of films with the study of their cultural context, this book argues that fictional cinema at large addressed predominantly middle-class audiences, offering both reflective and divergent views on social reality that enriched the cultural arena in which Argentineans could reflect on their past, their daily life, and their relationship with the other. In this sense cinema helped Argentine people to learn to live in democracy.
CONTENTS:
List of Illustrations
Acknowledgements
Introduction
Politics, Culture and Film in 1990s Argentina
Confronting Argentineans with Their Share in the Crisis
The Old New Tricks: Re-engaging the Middle Class
Laughing It Off? Comedy and Humour in the Face of Crisis
Conclusion
An unprecedented close textual analysis of numerous films within their contemporary cultural context.
This book engages with representations of social crisis in Argentine fictional cinema between 1998 and 2005, a period when Argentina experienced a deep economic crisis that brought about significant changes in politics, culture, society and the arts. It focuses on the ways in which cinema interpreted and represented both contemporary and long-established issues within national and social discourse, while re-assessing notions of national identity, culture and class.
Despite a growing body of scholarship on Argentine film published in English over the past few years, the role of more conventional films aimed at the public at large remains underexplored. By combining close textual analysis of films with the study of their cultural context, this book argues that fictional cinema at large addressed predominantly middle-class audiences, offering both reflective and divergent views on social reality that enriched the cultural arena in which Argentineans could reflect on their past, their daily life, and their relationship with the other. In this sense cinema helped Argentine people to learn to live in democracy.
CONTENTS:
List of Illustrations
Acknowledgements
Introduction
Politics, Culture and Film in 1990s Argentina
Confronting Argentineans with Their Share in the Crisis
The Old New Tricks: Re-engaging the Middle Class
Laughing It Off? Comedy and Humour in the Face of Crisis
Conclusion
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