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Voices, Silences and Echoes - A Theory of the Essay and the Critical Reception of Naturalism in Spain -- Bretz, Mary Lee

¥10,736 税込
商品コード: 122093
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商品コード(SBC): 122093
ISBN13: 9781855660144
サイズ: 16 x 24 x 2 cm
頁 数: 140 pgs.
重 量: 0.44 kgs
装 丁: hard cover
出版社: Tamesis Books
発行年: 1992
発行地: London
双書名: Tamesis A/Monografias, 149

PDFリンク: ※ 詳しくはこちら (PDF追加情報)

Descripción:
The essay as a genre has received little recent critical attention. While our understanding of the novel, poetry, drama, and to a lesser extent, the short story, has been considerably enriched through the application of various philosophies and contemporary literary theories such as phenomenology, reception theory, structuralism, semiotics, post-structuralism etc., the essay is still largely defined in formalist and New Critical terms.

Notwithstanding the obvious pragmatic aspect of essayistic discourse, critics and theoreticians tend to stress its ‘literary’ nature. In the preface of literary Nonfiction (1989), Chris Anderson describes the essay as ‘reflective and exploratory and essentially personal. Its purpose is not to convey information, although it may do that as well, but rather to tell the story of the author’s thinking and experience’. Without denying the literary qualities of many essays, I suggest that our emphasis on this aspect has been excessive and has limited our understandingof individual essays and of the essay as a genre.
- FROM INTRODUCTION


CONTENTS:

Introduction......1

I. A theory of the essay......10

II. Voices and echos......30

III. Silences and Echos......53

IV. Voices, silences and echoes: The critical reception of naturalism in Spain 1870-1882......79

V. Voices, silences and echoes: The critical reception of naturalism in Spain 1882-1891......100

Conclusion......127

Works cited......131



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