※ 幻想と現実が交錯する文学世界の迷宮へ ※

本書は、ラモン・ゴメス・デ・ラ・セルナの『Novelas de la Nebulosa』を対象に、その独創的な文学世界を「イメージの迷宮」という視点から分析した研究書です。作品に繰り返し現れる比喩や象徴、幻想的なイメージの連鎖を精密に読み解き、従来の物語構造にとらわれない表現技法がどのように独自の文学空間を形成しているのかを考察しています。また、作者特有のグレゲリア（Greguería）的発想や前衛的感性が小説世界に与えた影響を検討し、現実と虚構、夢と日常、論理と想像力が交錯する語りの構造を分析しています。作品の美学や言語表現を文学理論や記号論的観点から読み解くことで、20世紀スペイン文学におけるラモン・ゴメス・デ・ラ・セルナの創作上の革新性と、その後の前衛文学や実験的小説への影響を明らかにしています。個別作品の読解にとどまらず、イメージ生成の仕組みや文学的想像力の働きを探究する内容となっており、スペイン現代文学、前衛文学、比較文学研究に重要な示唆を与える学術的研究です。

[対象地域、年代、研究分野]
対象地域：スペイン　対象年代：20世紀前半　研究分野：スペイン文学、前衛文学、文学理論、比較文学、記号論　対象読者：スペイン現代文学、前衛文学、文学理論、比較文学を専門とする研究者を対象をしています。
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Description:
Octavia Paz has said of Ramón Gómez de la Serna that he was «the great Spanish writer: the Writer or, better yet, Writing»,! la escritura, the Spanish equivalent of the Structuralists’ pet-word l’écriture. That is how prolific and pervasive a writer Gómez de la Serna was in his heyday. Paz compares Ramón (as he is known in Hispanic letters) to a modern Lope de Vega and agrees with the praise heaped on him by Valéry Larbaud, the French critic and translator who introduced the Spaniard to the Paris scene. «There was a time», Paz goes on, «when modernity spoke through Gómez de la Serna. He was so new that he continues to be so... With Ramón Gómez de la Serna and a few others... modern Spanish and Spanish American poetry is born ... speaking prose ... as a double heresy: prosaism and cosmopolitanism»,

It is a [act that Ramón is exclusively a prose writer (the few poems he ever wrote were promptly disavowed) and it is also a fact that Spanish aoant-garde begins in the twenties to take on a prose quality we are now more able to appreciate. Yet long before Ramón’s verbal dynamics had realized their full potential, his nonchalant use of metaphor had iniiltrated all spheres of Spanish literature. In a stimulating though very uneven book, Ramón Gómez de la Serna en sus obras.’ José Camón Aznar has succeeded in giving us a rudimentary impression of that infiltration. His bibliography of works by Ramón contains 189 books and essays published separately. It does not include ephemeral pieces which appeared in magazines and newspapers.


TABLE OF CONTENTS:

Preface..…xi

Introduction…..1

I. A Generic Setting for Ramón’s Novels..…5

II. El Incongruente, or The Image of Destiny…..26

III. El Novelista, or The Image of Inspiration…..37

IV. Rebeca!, or The Image of Illusion…..67

V. El Hombre Perdido, or The Image of Vacuity..…93

VI. The Novels of the Nebula: An Interpretive Synthesis…..131

Epilogue…..160

Supplementary notes…..163
List of Works consulted.....171