スペイン書房ネットショップ / The Restoration of Manarchy - Hados y lados hacen dichosos y desdichados -- Lauer, A. Robert(ed.)

The Restoration of Manarchy - Hados y lados hacen dichosos y desdichados -- Lauer, A. Robert(ed.)

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商品コード： 138883

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文学（作品・研究）

文学（作品・研究）＞スペイン語文学

商品コード(SBC):　138883
ISBN13:　9783931887018
サイズ:　17 x 24 x 2.2 cm
頁　数:　266 pgs.
重　量:　0.58 kgs
装　丁:　hard cover
出版社:　Reichenberger
発行年:　1997
発行地:　Kassel
双書名:　Teatro de Siglo de Oro/Ediciones criticas, 72

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Descripción:
Of the three extant manuscripts of the dramatic work Hados y lados hacen dichosos y desdichados, MS 16.891 attributes the play to Lorenzo Garcia, as we see in the colophon (‘Finis Lorenzo Garcia / la escriuio’ [v. ms p.118 of this edition]). Little is known about this autor. Shergold and Varey’s edition of the Genealogía, origen y noticias de los comediantes de España (Fuentes 2) informs us of several actors, musicians, prompters, and other helpers who belonged to the company of a Lorenzo Garcia in Valencia in 1667.

These are the following: Antonio de Acuña (1.7), who played the role of barba in the companies of Lorenzo García and Francisco Garzia, El Pupilo, who seems to have succeeded Lorenzo Garcia as autor de comedias. Acuña died in Madrid in 1710. In 1667, Francisco Garzia, El Pupilo, apart from his sundry marriages, seems to have played several roles: he was a galán, an ‘autor a medias con Lorenzo Garzia,’ and, by 1672, ‘autor de la compahia [Lorenzo Garcia’s?] (1.524).’ Another actor, Alonso Zambrana (1.352), was in Valencia in 1667 as a gracioso in the company of Lorenzo Garcia and El Pupilo’s. Another gracioso, Domingo Matheo (1.1274), was also in Valencia in 1667, in the same company.

Moreover, Andrés de Cos (1.350) played a segunda barba in Valencia in 1667, 1672, 1674, 1676, 1682, and 1683. There are at least four damas associated with this company: Vrsula Sánchez (1.583), who played the role of 5a dama in Valencia in 1667; Manuela de Acuña (II. 502), who played 2a dama in Valencia in 1667; Mariana de Borja (11.479), who played 3a dama in Valencia in 1667 and was an accomplished música; and Antonia Manuela (11.256), La Paxarita, who played 4 a dama in Valencia in 1667. There are at least two músicos: Francisco Garrupegui (1.542), musician in Valencia in 1667 and 2 ° músico in the company of Lorenzo Garcia and Francisco Garzia; and Phelipe Arteta (1.343), who was a musician in the same company of Lorenzo Garcia and El Pupilo’s in Valencia in 1667.
- DE INTRODUCCION

TABLE OF CONTENTS

1. Introduction

A. Authorship......1
B. Transmission of the Text......4
C. Watermarks......7
D. A Slavic Theme......8
E. The Tradition of Tyrannicide in the Theater......16
F. Stage History......19
G. Music (with Louise K. Stein)......26
H. Versification......28
I. Scenic Division......37
J. Editorial Criteria for Hados y lados hacen dichosos y desdichados......40

II. Hados y lados hacen dichosos y desdichados......45

A. Primera jornada......47
B. Segunda jornada......77
C. Tercera jornada......109

III. Notes

A. Textual Notes and Variants......141
B. Explanatory Notes......199

IV. Bibliography......233

V. Appendices......247

A. Correspondences between Variants......249
B. Stema of Hados y lados hacen dichosos y desdichados......254
C. Watermarks......255
D. A Selected Genealogy of the Royal Houses of Muscovy......257
E. Stage History of Hados y lados hacen dichosos y desdichados......258
F. Music of Hados y lados hacen dichosos y desdichados (transcribed by Louise K. Stein)......260

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The Restoration of Manarchy - Hados y lados hacen dichosos y desdichados -- Lauer, A. Robert(ed.)

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