The Representation of the Political in Selected Writings of Julio Cortázar -- Orloff, Carolina
￥20,680
税込
商品コード： 126357
商品コード(SBC): 126357
ISBN13: 9781855662629
サイズ: 15.5 x 23.5 x 1.8 cm
頁 数: 236 pgs.
重 量: 0.5 kgs
装 丁: hard cover
出版社: Boydell & Brewer
発行年: 2013
発行地: London
双書名: Tamesis A/Monografias, 325
ISBN13: 9781855662629
サイズ: 15.5 x 23.5 x 1.8 cm
頁 数: 236 pgs.
重 量: 0.5 kgs
装 丁: hard cover
出版社: Boydell & Brewer
発行年: 2013
発行地: London
双書名: Tamesis A/Monografias, 325
Descripción:
OrIoff shows that Cortázar did not become a political writer as a result of the Cuban Revolution, as is often claimed, but rather that the representation of the political was present in Cortázar’s very first writings.
The book analyses the evolution of the representation of distinct political elements throughout Cortázar’s writings, mainly with reference to the novels and the so-called collage books, which have so far received only limited critical attention. The author also alludes to some short stories and refers to many of Cortázar’s non-literary texts. Through this chosen corpus, the book follows a thematic thread, showing that politics was present in Cortázar’s fiction from his very first writings, and not - as he himself tended to claim - only following his conversion to socialism. The study aims to show that contrary to what many critics have argued, this political conversion did not divide the writer into an irreconcilable before and after - the apolitical versus the political - but rather it simply shifted the emphasis of the representation of the political that already existed in Cortázar’s writings.
OrIoff shows that Cortázar did not become a political writer as a result of the Cuban Revolution, as is often claimed, but rather that the representation of the political was present in Cortázar’s very first writings.
The book analyses the evolution of the representation of distinct political elements throughout Cortázar’s writings, mainly with reference to the novels and the so-called collage books, which have so far received only limited critical attention. The author also alludes to some short stories and refers to many of Cortázar’s non-literary texts. Through this chosen corpus, the book follows a thematic thread, showing that politics was present in Cortázar’s fiction from his very first writings, and not - as he himself tended to claim - only following his conversion to socialism. The study aims to show that contrary to what many critics have argued, this political conversion did not divide the writer into an irreconcilable before and after - the apolitical versus the political - but rather it simply shifted the emphasis of the representation of the political that already existed in Cortázar’s writings.
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