A Companion to Gabriel García Márquez -- Leslie Williams, Raymond
￥6,160
税込
商品コード： 150540
商品コード(SBC): 150540
ISBN13: 9781855662520
サイズ: 15.5 x 23.5 x 1.8 cm
頁 数: 200 pgs.
重 量: 0.42 kgs
装 丁: hard cover
出版社: Boydell & Brewer
発行年: 2013
発行地: London
双書名: Tamesis A/Monografias, 276
ISBN13: 9781855662520
サイズ: 15.5 x 23.5 x 1.8 cm
頁 数: 200 pgs.
重 量: 0.42 kgs
装 丁: hard cover
出版社: Boydell & Brewer
発行年: 2013
発行地: London
双書名: Tamesis A/Monografias, 276
Descripción:
One of the major Latin American writers of the twentieth century.
This book offers discussion and analysis of the subtle writing of Nobel Laureate Gabriel García Márquez - a traditionalist who draws from classic Western texts, a Modernist committed to modernizing the conservative literary tradition in Colombia and Latin America, an internationally recognized major writer of the 1960s Boom, the key figure in popularizing what has been called ‘magic realism’ and, finally, a Modernist who has occasionally engaged in some ofthe strategies of the postmodern.
The author demonstrates that García Márquez is above all a committed and highly accomplished Modernist fiction writer who has successfully synthesized his political vision in his writing and absorbed a vast array of cultural and literary traditions. Drawing on García Márquez’s interviews with Williams and others over the years, the book also explores the importance of the non-literary, the presence of oral tradition and the visual arts, thus providing a more complete insight into García Márquez’s strategies as a Modernist with heterogeneous aesthetic interests, as well as an understanding of his social and political preoccupations.
One of the major Latin American writers of the twentieth century.
This book offers discussion and analysis of the subtle writing of Nobel Laureate Gabriel García Márquez - a traditionalist who draws from classic Western texts, a Modernist committed to modernizing the conservative literary tradition in Colombia and Latin America, an internationally recognized major writer of the 1960s Boom, the key figure in popularizing what has been called ‘magic realism’ and, finally, a Modernist who has occasionally engaged in some ofthe strategies of the postmodern.
The author demonstrates that García Márquez is above all a committed and highly accomplished Modernist fiction writer who has successfully synthesized his political vision in his writing and absorbed a vast array of cultural and literary traditions. Drawing on García Márquez’s interviews with Williams and others over the years, the book also explores the importance of the non-literary, the presence of oral tradition and the visual arts, thus providing a more complete insight into García Márquez’s strategies as a Modernist with heterogeneous aesthetic interests, as well as an understanding of his social and political preoccupations.
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